Primo Obsessed

Obsession

Backrooms

Primo (upper player)

(bright, singing melody)

E–G–C | D–F–B | C–E–G G–A–G | F–E–D

E–G–C | D–F–B | C–G–E D–C ||

Secondo (lower player)

(steady Alberti bass style)

C–G–E–G | G–D–B–D | C–G–E–G | F–C–A–C

C–G–E–G | G–D–B–D | C––– ||

Development (playful dialogue)

Primo:

G–A–B–C | D–C–B–A | G–E–C–– | (trill) D–C

Secondo:

E–G–C–– | F–A–D–– | G–B–E–– | C–––

(they echo each other, trading phrases like a conversation)

⸻

Bridge (minor color, dramatic touch)

Both:

A minor passage

A–C–E | B–D–F | E–––

(build tension, crescendo)

⸻

Recapitulation (return to joy)

Primo:

C–E–G | G–A–G | F–E–D | C–––

Secondo:

C–G–E–G | F–C–A–C | G–D–B–D | C–––

⸻

Finale (playful flourish)

Both (together):

C–E–G–C (ascending)

G–E–C (staccato hits)

C––– (bold final chord)