Just to end up being me

[Final Ensemble of the Feast. COMEDIC BROADWAY MUSICAL THEATRE ENSEMBLE. Sophisticated, witty, Sondheim-inspired theatrical songwriting with intricate patter rhythms, rapid-fire rhymes, conversational melodies, counterpoint, overlapping vocals, and precise comic timing. Set during a lavish royal banquet in the Kingdom of Gold, where a family succession dispute becomes increasingly comic ridiculous. This is the final ensemble number of the feast,]

[ORCHESTRA — A mischievous, aristocratic waltz. The guests are whispering. Sister and the Main Princess are exchanging icy looks. Their husbands are preparing to intervene. The daughter watches them all. ]

[A little pizzicato violin answers her.]

[The orchestra begins to accelerate. The four adults turn toward her, but she keeps counting them off like names on a royal guest list.]

[The guests begin tapping their feet. A few whisper the last line to one another.]

[A sudden orchestral stop. She looks from her mother to her aunt.]

[She smiles as the orchestra launches into a cheeky, grand musical flourish.]

[Distinguish different voices of characters for the sister, main Princess, daughter, and background comical actors of a play]

[The orchestra gives a tiny, suspicious sting.]

[She curtsies. The orchestra swells.]

[FINAL HIT. The daughter raises her glass. Everyone else stares at her.]

[A final comic orchestral sting. Blackout.]